Looking for a good turntable

waiting for some love.

Exactly, and romance of the kind seen in a needle visibly tracking a groove that is hard to see or find in streamer and NAS boxes with their invisible handling of bits and bytes. There are many valid reasons to use a TT but convenience and better sound quality aren't on the list.

Excellent conversation starters too, I have found.

Digital quality depends on the source and the transfer. A Cd is what? 320 Kbps? Rip that into a standard 128 Kbps MP3 and you're losing some serious sound quality. Different formats have better quality, flac, mp4s are better but digital is already starting with a compressed signal. Vinyl is a lossless medium.
You make points about vinyl that are well taken, but not all are accurate.
Vinyl quality cannot get away from the need for quality source and transfer; Garbage In Garbage Out cannot be escaped by any one.
CD streaming rates are 1411 Kbps, but few can reliably distinguish that from 320kbps in a blind test that eliminates every other variable.
That digital starts with a compressed signal is not true, but that admittedly is a common misconception about digital audio. Digital can be as lossless as Vinyl. Digital was invented to better the sound quality obtained from Vinyl and the best of digital does that quite easily.
I agree that CD players and CDs are obsolete and digital tech has moved on from needing CDs as a media. While there is no replacement for the "cool" of vinyl, so I expect TTs to be made long after CD players aren't anymore. But not because they deliver superior sound quality compared to digital audio, but because people will still want the "cool" thing. A bit like people still wanting and using valve amps. Or fountain pens. Or hand wound wrist watches.
PS: a good comment I read once about vinyl: "Is a CD-quality album going to sound more accurate on vinyl than a CD? Nope. But it will sound more vinyl-y, if that's your preference."
One could say the same about a quality valve amp which will cost a lot more than an equally good transistor amp.

Like I said, we could argue sound all day. Vinyl has the potential to sound fantastic if you do it right. Every little part of the music is there in the groove if you can get it out. Does it sound better than digital? Yes, in some cases, no others. Like you said, GIGO definitely applies, but can most people actually hear the difference in good quality digital vs good quality vinyl? Probably not.

The highest quality digital might be the best way to reproduce sound but it's not what people are listening to. Digital music has to be compressed as a practical matter to deliver the files to consumers and to fit them onto whatever storage device they use. The higher the quality the larger the file. It's easy to hear the quality difference in a 128kbps file vs a 320kbps file. The 320kbps sounds much better but file will also be much larger (Pandora streams at 192kbps). It's only recently that hard drives have gotten larger and bandwidths have increased to where download speeds and storage aren't really an issue, but the standard 128kbps files people bought or ripped from cds are still the bulk of the music on people's hard drives. We're all listening to compressed, lossy, mediocre digital files and they still sound just fine. With developments in lossless compression digital will continue to get better, but I'm not ready to go re-rip all my CDs again just yet.

Which brings me back to my point, digital can sound fantastic and analog can sound fantastic... or the can sound like crap. It's doesn't really matter because the both sound good enough. Digital files are easier and you can have your entire music collection in your pocket at all times. Turntables have you chained to a corner of a room (the car turntable just never caught on). Digital is superior in pretty much every way, but there's still a place for vinyl.

I'm not a snob about records, I listen to digital 98% of the time and I love it. The vinyl thing is a fun hands on way to play music. Digital is mainstream, vinyl is a hobby. Part of it might be that I'm old enough to have lived through the LP era when I was a kid. It's a retro thing. I'd imagine that people born after CDs took over might not see the appeal.

"It ain't ignorance causes so much trouble; it's folks knowing so much that just ain't so."

- Josh Billings, Humorist

Is this you being helpful again?

"It ain't ignorance causes so much trouble; it's folks knowing so much that just ain't so."

- Josh Billings, Humorist

Is this you being helpful again?

No, it is me being truthful. Before spreading nonsense about digital being "compressed", you should look up a little something called the Nyquist-Shannon sampling theorem, which states that for every frequency under 1/2 the sampling rate (44 KHz in the case of CD, which gives a frequency range well above the limits of human hearing), the output from a digital recording is exactly equal to the analog input. So for lossless codecs like CD or FLAC, there is no "compression" of audio quality at all, the reproduction signal is indistinguishable from the original. Even down to minute analysis on an oscilloscope, far beyond the tolerances of the human ear, the input signal is perfectly matched to output.

That's just one of the few corrections to your decidedly skewed (not to mention easily proven to be false) statements. If you wish, I can give you links to videos that show this matching of signals on an oscilloscope, done by one of the foremost authorities on digital audio. What do you say, are you willing to learn something today?

Just in case anyone else is interested in why it is incorrect to say there is any loss of fidelity due "compression" during the lossless digitization of band limited signals within the range of human hearing.

but can most people actually hear the difference in good quality digital vs good quality vinyl? Probably not.
The highest quality digital might be the best way to reproduce sound but it's not what people are listening to. Digital music has to be compressed as a practical matter to deliver the files to consumers and to fit them onto whatever storage device they use.
Digital is superior in pretty much every way, but there's still a place for vinyl.
The vinyl thing is a fun hands on way to play music. Digital is mainstream, vinyl is a hobby... It's a retro thing.
All points there is little to argue over, so in reality there is little practical difference in what we are saying. What there is, is on account of some fundamental issues that can be read about for the sake of principle, if desired.

First, it is necessary to spend a lot more on TTs to get the same potential for sound quality as digital can deliver very cheaply now. The visible precision engineering isn't cheap to make and maintain; maintenance being more a matter of time and knowhow that may need a time investment to obtain. Part of the fun is in the maintenance, but those new to vinyl ought to know this before going down that road if they are not to suffer atrocious sound quality over time.

Compressed music is also application specific, initially developed to cater to a noisy listening environment, with inexpensive earphones, where it effectively delivers all the content in the track in an audible way to the listener in that environment. A quiet listening room is not the environment for it. And if music suitable for such a room is available on vinyl, I know of no examples where it is not also available in digital form of equivalent source/mastering quality and with adequate kbps for effective rendering. If people want to find such music because they don't like the 128 kbps compressed versions, there is no need to go to vinyl to obtain it. And storage capacity constraints for listening to quality digital music at home went away over ten years ago. I am referring to NAS delivered music; streaming services are a different matter and are to still get there in many cases; but many also do what is audibly a perfectly adequate job with 256/320kbps.

There are however well known sound quality issues with vinyl from the way the LP is produced to the way it has to be used to deliver sound at home. And there is no compensating advantage as claimed for it by virtue of the nonsensical claims that the soul of the music is completely captured only in the analog nature of the groove, while it is lost between the bits of digital audio.

Of course there is still place for vinyl; no one here said otherwise. Just as there is space for Morgan sports cars as well, both those made 50 years ago, and the exact same looking ones produced today by the same maker in the UK. And for fountain pens, and hand wound wrist watches and many other hobbies that do not usually make practical sense. Almost a definition of a hobby - that it should not make practical sense!

Point 6 says it well: https://numeralnine.wordpress.com/2013/10/09/a-brief-guide-to-audio-for-the-skeptical-consumer/

Nostalgia is fun, and I enjoy playing vinyl -- but I don't for a moment think the audio quality is objectively or subjectively better then playing the same tracks from a 320kbps Spotify stream.

but can most people actually hear the difference in good quality digital vs good quality vinyl? Probably not.
The highest quality digital might be the best way to reproduce sound but it's not what people are listening to. Digital music has to be compressed as a practical matter to deliver the files to consumers and to fit them onto whatever storage device they use.
Digital is superior in pretty much every way, but there's still a place for vinyl.
The vinyl thing is a fun hands on way to play music. Digital is mainstream, vinyl is a hobby... It's a retro thing.
All points there is little to argue over, so in reality there is little practical difference in what we are saying. What there is, is on account of some fundamental issues that can be read about for the sake of principle, if desired.

First, it is necessary to spend a lot more on TTs to get the same potential for sound quality as digital can deliver very cheaply now. The visible precision engineering isn't cheap to make and maintain; maintenance being more a matter of time and knowhow that may need a time investment to obtain. Part of the fun is in the maintenance, but those new to vinyl ought to know this before going down that road if they are not to suffer atrocious sound quality over time.

Compressed music is also application specific, initially developed to cater to a noisy listening environment, with inexpensive earphones, where it effectively delivers all the content in the track in an audible way to the listener in that environment. A quiet listening room is not the environment for it. And if music suitable for such a room is available on vinyl, I know of no examples where it is not also available in digital form of equivalent source/mastering quality and with adequate kbps for effective rendering. If people want to find such music because they don't like the 128 kbps compressed versions, there is no need to go to vinyl to obtain it. And storage capacity constraints for listening to quality digital music at home went away over ten years ago. I am referring to NAS delivered music; streaming services are a different matter and are to still get there in many cases; but many also do what is audibly a perfectly adequate job with 256/320kbps.

There are however well known sound quality issues with vinyl from the way the LP is produced to the way it has to be used to deliver sound at home. And there is no compensating advantage as claimed for it by virtue of the nonsensical claims that the soul of the music is completely captured only in the analog nature of the groove, while it is lost between the bits of digital audio.

Of course there is still place for vinyl; no one here said otherwise. Just as there is space for Morgan sports cars as well, both those made 50 years ago, and the exact same looking ones produced today by the same maker in the UK. And for fountain pens, and hand wound wrist watches and many other hobbies that do not usually make practical sense. Almost a definition of a hobby - that it should not make practical sense!


This has gone way off the tracks.

Nobody here said anything about vinyl having a soul, nobody said vinyl being the way to replace MP3's and the question was never about reproducing perfect sound. Hobbies are done for personal enjoyment. Some people can even get enjoyment out of playing a scratchy old warped record sometimes. It's not about perfection or efficiency or even the cost. Turntables are inefficient, expensive and high maintenance but some people enjoy buying records and playing them the old fashioned way. You can't just go A.D.D. and skip twenty songs, you actually listen to the same artist playing music in the order they chose to present it in. If you watch the movie, "It Might Get Loud" (great movie btw) you can see Jimmy Page in his music room full of LP's and CDs listening and showing off some of his favorite tracks. What does he do? He pulls out and old Link Ray 45 single of "Rumble", puts it on a crappy looking turntable and he gets this giant smile on his face. If it's good enough for Jimmy....

You know what's even less efficient and more expensive than vinyl records? Playing an instrument. It's difficult, time consuming and you need to find others with the same stupid hobby to play with you. Why play music yourself when you can find a cheap digital copy of any song you want to hear? For that matter why would people go to concerts? They're crowded, loud, expensive and the sound quality is usually pretty awful compared to digital or even studio recorded tracks. Why see a live show when you can go to iTunes and download any song they sing? I'm being facetious, of course. Music itself is a hobby, it's not a necessity, and people choose to experience it in different forms. Each form has its virtues. Nobody is really doing it right or wrong.

All I'm really saying is when somebody asks which turntable to buy, he's probably looking for information on turntables.

This has gone way off the tracks.

All I'm really saying is when somebody asks which turntable to buy, he's probably looking for information on turntables.
I agree. And probably not needing to be told about Ortofon cartridges. Or other things that affect the great vinyl sound quality! In any case, OP is long gone from here.

"It ain't ignorance causes so much trouble; it's folks knowing so much that just ain't so."

- Josh Billings, Humorist

Is this you being helpful again?

No, it is me being truthful. Before spreading nonsense about digital being "compressed", you should look up a little something called the Nyquist-Shannon sampling theorem, which states that for every frequency under 1/2 the sampling rate (44 KHz in the case of CD, which gives a frequency range well above the limits of human hearing), the output from a digital recording is exactly equal to the analog input. So for lossless codecs like CD or FLAC, there is no "compression" of audio quality at all, the reproduction signal is indistinguishable from the original. Even down to minute analysis on an oscilloscope, far beyond the tolerances of the human ear, the input signal is perfectly matched to output.

That's just one of the few corrections to your decidedly skewed (not to mention easily proven to be false) statements. If you wish, I can give you links to videos that show this matching of signals on an oscilloscope, done by one of the foremost authorities on digital audio. What do you say, are you willing to learn something today?



MP3's are compressed and I mentioned flac's in my comments.

Whatever your problem is with me, let it go.