... It's already underway with a 25 euro Asus USB dvd player:
... It's already underway with a 25 euro Asus USB dvd player:
I remember a BBC article claiming that a large majority of those buying vinyl today do not have or have any plans to get a turntable.
Purchased simply for decorative purposes then? Or to offer a firm level surface for rolling … er … cigarettes?
I still buy them! I like to physically own the music, and more money goes to the artists I listen to.
Not being beholden to an Artist suddenly removing their music from a platform, and that you have absolutely no control over, is also worth considering.
Then I am rather old now!
Oh dear. I had a 7” AKAI reel-to-reel back in my university days. Only a twin-head, mind. Along with a Thorens turntable of course.
Interesting
However, and this may be just me, if I have not spent money on an album purchase I found I was much less likely to ever get round to listening to it.
I use Computer games by way of an example. I had a friend who would get me hookey copies of the latest computer games, often by the dozen. The fact that they were free meant that I rarely got round to playing them. The same then started with music in the early days of Napster etc. If there was no value attached to the CD/game then there was little incentive to invest the time into playing it.
I am with
Yes, in most cases, I can still listen to the full album, but the encouragement simply isn’t there anymore, Granted, it’s entirely possible that my age has changed my desire to listen to new music as well. I find myself satisfied with the decades of music I’ve already heard so many times before rather than current music.
In fact, I’ve first signed up for a streaming service because of old music, music I liked but never enough to justify buying the album. It wasn’t that I intended to never buy music again, that just sort of followed naturally afterwards. As did streaming services replacing FM radio stations.
Side note: Old music I like, but never enough to buy, was also my justification for pirating music back in the day.
I mean maybe you will hear something if you spend tens of thousands on audiophile equipment and have extraordinary hearing.
I qualify even the above by adding: in a listening room that is quieter than almost any found in a typical home even late at night because these differences will not rise above the ambient noise floor in a domestic environment.
I have to admit I have thought about hooking up my CD Player or turntable (both of which are in storage) to my Sonos Port just for kicks.
Mine is still attached, but mainly to play CDs which friends bring round.
Digital has surpassed them both in quality…
???
I remember a BBC article claiming that a large majority of those buying vinyl today do not have or have any plans to get a turntable.
I have about a thousand CDs ripped that are boxed and have no takers even for free. I suspect I shall soon have to pay for them to be taken away.
Any upticks probably are just blips by way of a temporary aberration, especially where CD players are concerned.
Something that exists outside the metaverse ?
There's something satisfying in actually handling a concrete object (ahem - not that way either).
Thanks for the laugh, ratty. Although I will admit that there’s something more appealing regarding the size of the album cover art on Vinyl than there is on any CD sized release.
There always seems to be a report of an “older” format resurging, not sure that there’s a lot to those reports, I think there’s always a certain level of interest in those formats for some people, and a concurrent debate as to whether one format it “better” than the other.
The one I’ve not really seen in the reel to reel format resurging. I have fond memories of my father’s AKAI reel to reel system, and the quality of the music, mostly classical, that he maintained. There was something about the physical action of hooking up a tape to be listened to that was magical.
Thanks for the laugh, ratty. Although I will admit that there’s something more appealing regarding the size of the album cover art on Vinyl than there is on any CD sized release.
It’s not just the size, but I think the cardboard material. Additionally, when actually playing, you can see the vinyl and make manual adjustments. CDs...you just slide into a black box….literally and figuratively
There always seems to be a report of an “older” format resurging, not sure that there’s a lot to those reports, I think there’s always a certain level of interest in those formats for some people, and a concurrent debate as to whether one format it “better” than the other.
The one I’ve not really seen in the reel to reel format resurging. I have fond memories of my father’s AKAI reel to reel system, and the quality of the music, mostly classical, that he maintained. There was something about the physical action of hooking up a tape to be listened to that was magical.
I dated a girl a while back, that had a reel to reel system. It sounded good, but she was crazy.
I used to buy CD’s, rip them and mostly store the discs away ... now I don’t buy any at all - not a single one since subscribing to streaming music services.
I do now have access to far more music than ever before, it certainly costs me far (far) less than what I used to spend on discs/storage and I am resigned to the fact I don’t own any of my later collection.
The quality of todays streaming music is great. So I doubt I will ever buy any further CD’s.
I actually miss vinyl and album covers much more than CD’s and I have quite a collection of those too in the loft, but that’s really mostly nostalgia from my younger days. I remember the thrill of buying an album and the smell of the covers etc; perhaps moreso than the dusty crackle sound from the records themselves - the streaming music services have taken over in this house and as long as prices remain reasonable, I can’t see me switching away from those, but it’s still nice to hang onto my own ‘old’ digital library, as if things do ever get too pricey, I can still choose to opt to go in some other direction. I just don’t see me buying much more physical media to own myself.
Interesting
However, and this may be just me, if I have not spent money on an album purchase I found I was much less likely to ever get round to listening to it.
I use Computer games by way of an example. I had a friend who would get me hookey copies of the latest computer games, often by the dozen. The fact that they were free meant that I rarely got round to playing them. The same then started with music in the early days of Napster etc. If there was no value attached to the CD/game then there was little incentive to invest the time into playing it.
Streams come in higher than CD quality now *Amazon “Ultra HD”, Tidal “High Res” and Apple “High Res Lossless” so the quality argument for CDs being the utmost in digital music quality doesn’t really exist anymore. Plus CD’s are based on tech that was available 40 years ago. Codecs and digital audio files/streaming has come a long way since then.
Frankly, Ive done A/B tests of high res music with my Port hooked up to a nice set of speakers and an amp and neither I nor anyone I play them for can tell the difference. But the high res streams are still there is you want them.
None of this means that hooking up a turntable or CD player to a Sonos system can’t be fun. But quality isn’t one of the reasons I would choose to do it.
Just me... But I hate having to wade through reams of rubbish titles, genres, etc. just to reach my music
The Spotify interface on Sonos is a glaring example of this. Tidal is better in this respect.
Streams come in higher than CD quality now *Amazon “Ultra HD”, Tidal “High Res” and Apple “High Res Lossless” so the quality argument for CDs being the utmost in digital music quality doesn’t really exist anymore. Plus CD’s are based on tech that was available 40 years ago. Codecs and digital audio files/streaming has come a long way since then.
Frankly, Ive done A/B tests of high res music with my Port hooked up to a nice set of speakers and an amp and neither I nor anyone I play them for can tell the difference.
If you, or anyone else, can’t tell the difference then all it shows it that ‘hi-res’ formats are snake oil, surely…. and that the tech from 40 years ago already outperforms human hearing...
It shows that most people will never hear the difference. I mean maybe you will hear something if you spend tens of thousands on audiophile equipment and have extraordinary hearing. But how many of those people are out there really? Most mortals spend at most a thousand or two on an audio setup so for 99.9% of the people its really a distinction without a difference.
Frankly, Ive done A/B tests of high res music with my Port hooked up to a nice set of speakers and an amp and neither I nor anyone I play them for can tell the difference. But the high res streams are still there is you want them.
You are not alone.
An interesting activity is to collect various copies of the same recording session. CD, tape, LP and compare them. For example play a UK, Japanese, and US pressing of the same album. Compare pressings from different eras. You might find that they sound quite different. When possible, include a MFSL release.
Personally, I find the noise and various distortions inherent in tape and LP unattractive. I’m not saying that digital is always “better”, due to sloppy, uninformed processing along the way, but the noise and distortion floors can be much lower with digital technology.
Considering the bragging rights available to the person with the golden ears, esoteric audio gear and perfect listening environment you’d have thought that at least one of these folks would have set up a proctored, double-blind ABX test to prove just how superior their setup was.
So far I haven’t seen anybody credible claiming they are able to reliably identify music formats that meet or exceed CD quality.
https://infogalactic.com/info/ABX_test
Down a ways he gets to bit depth testing: https://audiophilestyle.com/ca/bits-and-bytes/fun-with-digital-audio-%E2%80%93-bit-perfect-audibility-testing/
Test files: https://www.audiocheck.net/testtones_highdefinitionaudio.php
Quick fun test: https://www.npr.org/sections/therecord/2015/06/02/411473508/how-well-can-you-hear-audio-quality
So far I haven’t seen anybody credible claiming they are able to reliably identify music formats that meet or exceed CD quality.
It isn't just for this that there are no such tests. There also are no such tests for stereo amps of similar power delivery/distortion spec, DACs, cables that meet the thickness required for the cable run in question - regardless of the prices of the items being compared, even where price differences may be in orders of magnitude.
But for each, there are endless subjective claims, led by the media that writes about these. Human frailties make this domain a target rich environment for both scamsters and for those that are just more prone to sincerely believing whatever they see in print and who are not familiar with the subject of psychological biases.
On music formats, I haven’t seen such tests for even CD format lossless v 256/320k lossy, where headphones have not been used for listening.
you’d have thought that at least one of these folks would have set up a proctored, double-blind ABX test to prove just how superior their setup was.
I understand the rational of ABX, but I have a little difficulty with the thought that the ABX box is perfect and the attached equipment is not. We built an ABC..X box using relays that might be used in the actual ABX boxes quoted in reviews. On day one it was apparent to all of us that the ABC...X box masked some of the differences between the devices. We are not the self proclaimed “golden ear” types, we are simply a group of engineers, musicians, and regular folk who can pay attention. And, we are not afraid to disagree with one another with respect to “best”. Yes, we are aware of and can deal with comparison complications associated with level differences.
Thinking of building an ABX box brings to mind so many possible issues that I’d have hated to think of it, even back in my electronics technician era.
Every component in the audio path is critical and any interactions with the power supply or neighboring equipment that vary by input selected would be big issues.
You can buy matched components of some types, the price is usually not pretty. Others you’d have to test and match individually.
Using a circuit-board versus direct wiring only gives you a choice of the undesired impacts of either, not a “good” option.
Relays are tough, you’d likely want magnetic latching so you could eliminate external current flows during the tests. Contact types, who knows mercury wetted, gold, vacuum sealed unobtainium?
Connectors, solder joins, vibration proofing, too much for my poor brain.
Maybe you could ABX test the ABX box by feeding each side the exact same signal?
On ABX - I have found Butterworth to be one of the level headed people writing on audio on the net, and here is a link to a relevant article by him:
https://hometheaterreview.com/why-do-audiophiles-fear-abx-testing/
Unfortunately, he has not expressed any views on any conclusion he may have reached, but one thing that he also leaves unexplained is how any ABX box does level matching of signal voltages necessary to achieve the necessary identical sound levels.
He does say this though: The problem for audiophiles is, ABX testing has, to date, rarely revealed differences in sound among audio electronics components.
Also, even a much simpler A/B switcher than the ABX box in the link can suffice for amateur tests IF the level matching can be done well enough. It ought to be easy to build or get such a simple switcher that does not add its own issues to the test.
Kumar,
Typically, there will be an input attenuator as part of the ABX box. This will be used while testing devices that may not have input or output attenuators. For a power amplifier that has no input attenuator, the test will require two trips through the ABX box-- before and after the device(s) under test.
If you are a fan of low output impedance power amplifiers, fat wire, and high damping factor, power amplifiers with output impedance in the range of 0.00x Ohms are common. If you are not familiar with the terms, they are not very related to the recommended load impedance for the amplifier. Relay contact resistance is commonly in the 0.1 Ohm range. In an otherwise low impedance speaker wiring setup the relay contact resistance becomes a factor. It is common for power amplifiers to include a relay that keeps the amplifier disconnected from the speakers while the amplifier powers up and powers down. This protects the speakers from difficult to control transients. Very high quality amplifiers tend to omit this relay -- claiming that it injures sound quality. If this is true, why would one want to insert a relay in the test setup?
claiming that it injures sound quality. If this is true, why would one want to insert a relay in the test setup?
That is why I would just use a simple switch and do a A/B test and get most of the outcome reliability that adding the X will deliver but with all the complications of the ABX box. The unsolved problem will still be getting the same sound levels for A and B, and that needs to be quite precisely achieved to get a reliable result in both cases.
ABX protocol is better than AB no doubt, but for this kind of testing to satisfy just oneself, I believe that AB is adequate.
I have to admit I have thought about hooking up my CD Player or turntable (both of which are in storage) to my Sonos Port just for kicks. But I doubt I will ever purchase any more records that way again. Digital has surpassed them both in quality and convenience now so the only reason I’d do this is for a little fun.
Keep in mind that cassettes have already begun a comeback too. I grew up making mix tapes but again have no desire to go back to that format either. If you are Gen Z or a Millennial and never seen them the first time around, I’m sure the novelty of old physical formats is fun. But I can’t imagine any of this is going to last. I think I realized when urban Outfitters and Whole Foods started selling vinyl at select locations that this was less a format resurgence than a lifestyle trend.
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